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The Golden Spike
On May 10, 1869, four years after the Civil War, the world’s first transcontinental railroad was completed as the Central Pacific and Union Pacific railroads met at Promontory Summit, Utah.
The two engines, Union Pacific’s No. 119 and Central Pacific’s No. 60, known as Jupiter were drawn up face-to-face. Workers, dignitaries and press watched and cheered as Leland Stanford, president of the Central Pacific drove the Golden Spike into the rails, officially connecting 1,756 miles of track, uniting the Atlantic and Pacific oceans across the United States.
Meriwether Lewis and William Clark had previously (1804 – 1806) charted and documented the vast new region of the US acquired through the Louisiana Purchase. The Corps of Discovery prepared the first maps and reports describing the topography of the trails and passages from the Mississippi River to the Pacific Ocean. “Future generations” Jefferson predicted, “would fill up the canvas we begin”.
From 1835 onward, many Americans wrote and spoke about their belief that it was the “manifest destiny” of the United States to expand its territory over the whole of North America to extend and enhance the nation’s political, social and economic influence.
Development of the transcontinental railroad began in 1832, although it wasn’t until 1853 that Congress approved the funds to survey and plan the course. Construction officially started in 1866. Workers, many of whom were Chinese or Irish immigrants, put in long hours under harsh conditions. During the winter of 1867, Chinese workers for the Central Pacific line carried three train engines, forty railroad cars and all of their equipment – rails, spikes, hammers and food - over the snow-covered Sierra Mountains to lay fifty miles of track on the other side the following spring.
The transcontinental railroad contributed to the rapid western expansion of the nation. Before the track was competed, it would take travelers months to get from the East Coast to the West Coast, either by land or sea. With the transcontinental railroad, the trip could be made in a matter of days. Indeed the nation was changed, and united.
It’s not known how many people attended the ceremonial event in 1869; estimates range from as low as 500 to as many as 3,000. Parades and celebrations ensued as telegraph operators clicked off the news that the Great Pacific railroad was finally completed.
Today, the official Golden Spike used in the ceremony is displayed in the Cantor Arts Center at Stanford University, founded by Leland Stanford, who also served as a Republican governor and senator from California. The Golden Spike National Historic Site, which marks the historic uniting of the lines, lies 32 miles west of Brigham City, Utah.
The Golden Spike Collection stands as a tribute to the more than 4,000 workers who participated in the magnificent feat of connecting the Atlantic and Pacific oceans by rail.
The courses of the two engines, Jupiter (Central Pacific) from Sacramento, California and No. 119 (Union Pacific) from Omaha, Nebraska / Council Bluffs, Iowa are outlined along the cap and barrel of the pen, meeting at Promontory Summit, Utah.
Each of the seven states along the journey is marked in high relief and each is engraved with a unique guilloché pattern. The two engines are illustrated in a reverse-engraving underneath the enamel.
Central Pacific and Union Pacific are featured in high relief at the top and bottom of the pen and corresponding emblems from that era adorn the crown of the cap and bottom of the barrel.
The gripping section is engraved with start (Jan 8th 1863) and finish (May 10th 1869) dates. Between the dates are the following words that are engraved on the original Golden Spike: “May God continue the unity of our Country as this Railroad unites the two great Oceans of the world”.
The Golden Spike Collection thirtieth in the David Oscarson™ series of Limited Edition writing instruments and will be produced in two design variations; each limited to production of 150 pieces (including fountain pens and roller balls).
The Golden Spike Collection will be produced in the following color variations:
Translucent White and Ruby Red and Opaque Black Hard Enamel with Gold Vermeil
Translucent White and Sapphire Blue and Opaque Black Hard Enamel with Gold Vermeil
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David Oscarson has been creating luxury fountain pens since 2000 when he launched his eponymous brand with the limited edition Henrik Wigstrom Trophy pen collection. Since then, he has created numerous limited edition pen collections — four of which have been the recipients of the Robb Report’s annual Best of the Best award, and the prestigious Readers’ Choice Award for the Jacques deMolay collection — each one a personal tribute to the art of writing.
“The biggest challenge today is helping people remember what a signature means: that it is an extension of one’s self,” says Oscarson. “Much is electronic today, including communication, but I always prefer talking on the phone to texting, and visiting in person to the telephone – old-fashioned, maybe, but much richer, and in my mind, much more rewarding.”
He takes this same mindful approach to the production of his pens. The use of hand-rendered guilloche and enamel, traditional art forms also seen in watchmaking, are emblematic of the brand, and Oscarson takes great care in keeping their quality pure. For example, he makes it eminently clear that the metal parts of his pens are guilloche, as opposed to stamped, since the resulting pattern reflects light ...
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